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“I put the Force into the movie in order to try to awaken…a belief in God… I think it’s important to have a belief system and to have faith. … I think there is a God. No question. … Ultimately the Force is the larger mystery of the universe. … I would hesitate to call the Force God. It’s designed primarily to make young people think about the mystery.”—George Lucas

The Lucas Code

George Walton Lucas Jr. is an American filmmaker and entrepreneur. He created the Star Wars and Indiana Jones franchises and founded LucasfilmLucas Arts and Industrial Light & Magic. He was the chairman and CEO of Lucasfilm until he sold it to The Walt Disney Company in 2012.

Lucas' next film after 'American Graffiti (1973), Star Wars (1977), became the highest-grossing film at the time. Lucas produced and cowrote The Empire Strikes Back (1980) and Return of the Jedi (1983). He created the Indiana Jones films Raiders of the Lost Ark (1981), Temple of Doom (1984), and The Last Crusade (1989) with Steven Spielberg.

Look, here's the deal. It's interesting that George Lucas made Star Wars movies based on the Djedi, their culture and their rods. He had to study Atlantis and ancient Egypt in order to learn about the Djedi. Evidence of this is the word that he used to describe the heroes of his stories. He called them the 'Jedi Knights'.  “I’m telling an old myth in a new way,” he says.

What I also find interesting is that when I was studying electricity after buying a 'parasite zapper' online, I ran into the Egyptian Rods. I had also studied the Emerald Tablets of Thoth and learned of Atlantis being the origin of the ancient Egyptian culture. Furthermore, when anyone studies ANYTHING ancient, they will almost certainly run into Extraterrestrial influence. 

This is where things get deep. It seems to me that George Lucas created Star Wars to reveal to the world what he had learned when studying ancient Egypt, Atlantis and ancient history. He found out that the universe was full of inhabited planets and that our planet was visited by extraterrestrial beings. He also learned about mankind being taught the Djedi culture, sciences, arts and technology. It is obvious that he noticed the objects everyone was holding in their hands and the very many amazing things they were used for. Their purposes and uses were up to the user but in ancient and biblical history they were called rods, staves, 'The Sword of the Spirit' and 'flaming swords'. This is where the idea of light sabers came from. These were the main tools used for mastery of the self and the 'force' which had EVERYTHING to do with 'extra sensory perception' and the powers of the mind and spirit. This also explains the belief in what is now scoffed at as 'magic' and the 'paranormal'.

The idea of the force could have been gathered from the Djedi use of the term, but what is called the 'force' in the Djedi texts and in the Star Wars movies both refer to 'orgone energy'. Now here's where I tie it all together. 

The force, orgone energy, zero point energy, tachyon energy, scalar waves, chi, prana, the aura, ether and 'free energy' ARE ALL THE SAME THING! 

Now back to the 'Lucas Code'. I noticed that the actor playing 'Indiana Jones' who was an archaeologist and college professor, studied ancient cultures and his hobby was lost civilizations and finding ancient artifacts. I cannot be certain but it would be interesting if Indiana Jones was George's way of expressing himself and experiences through 'Indie'. Hence, his making of 'Raiders of the Lost Ark' in 1981, then 'Return of the Jedi' in 1983. Because when I studied ancient civilizations, I learned of the Djedi. I had already known about the universe as well as the extraterrestrial field and when I learned of ancient Egypt, the Djedi, the Djed rods, and Atlantis it all hit me like a ton of bricks. 

Notice also that the same actor who plays Indiana Jones is Han Solo in Star Wars. Which can also be George expressing the transition of his knowledge base from ancient history and cultures, to the ancient advanced technology, extraterrestrial influence on our planet and the existence of endless inhabited worlds. He also learned about the battle between good and evil as well as the existence of cosmic commerce, corruption and tyranny. He called the two opposing sides the 'light side' and 'dark side' of the force. 

 

The creator of the word orgone was Wilheim Reich.  He also recognized the two opposing forces on a metaphysical and scientific level. 

So When one puts all of this knowledge together it is nothing less than amazing to find out how REAL all this really is. It is an honor to be able to present this information to the world and it is a blessing to have the opportunity to be a part of a Universal mission to maintain order throughout the galaxy. Knowledge truly is power. 

!#!#!#!palpatine-darth-sidious-star-wars

Exposing REAL Corruption  

I also find it interesting that Lucas exposes the galactic corruption and rebellion of the forces of darkness against the forces of light. He learned about the real 'War in Heaven' and that it never ended. Also that it spilled over onto our planet. 

I would say that this man is a genius because he exposed a MAJOR portion of the truth and called it fiction. If he had tried to reveal any of his research or findings as 'conspiracy theory' and as a 'whistle blower' he would have been COVERTLY eliminated like everyone else that attempted to reveal hidden truths as FACTS/non-fiction. By putting the truth in his movies he avoided the mysterious car accident, plane crash, overdose, heart attack, suicide, shot to the head or complete disappearance. Ingenius indeed. 

I am also impressed at how he exposes a corrupt galactic GOVERNMENT called the 'Republic' and that the characters he portrays as the leaders of the 'Dark side' are  'Chancellors' and 'Senators' and 'Officers' as well as the fact that these political and social positions hold a darker and menacing purpose. He also exposes 'Bounty hunters'/Bail bondsmen. 

The human masters of the 'Dark side' were taught by dark beings who mastered the dark side of the force taught them  and gave these people technology and power at a price. These leaders of the 'dark side' in the movies are called the Sith. In the real world of non fiction they are called the Djinn, although all Djinn are not evil. In Star Wars, when they taught mortals the ways of the dark side, these mortals would become possessed in not so many words and would transform into sith themselves. This is very similar to what has been and is going on here on Earth.  

I have taught for a long time now about the courts being 'Temples of B'aal' and that the registrar is the supreme chancellor and keeper of the records of the dead. Attorneys/Barristers are literally called 'devils' and devil masters and their assistants, usually paralegals are called 'imps'. I could go into more detail but I will not digress.

My point is how tactfully George leaves breadcrumbs for those worthy of figuring it all out. 

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Spirituality & The Force

The Star Wars stories also put emphasis on the foundation of the Djedi culture which was called the Djedi Temple. This laid ground to the spiritual nature of the Djedi and their way of life. 

The Jedi in the movies were separate from the 'Republic' and had their own high council that dealt with the spiritual affairs of the universe and maintained balance also through diplomacy and combat when needed. 

This was an intelligent depiction of religious freedom and the separation between the church and the state on our planet.  

Most notable though is the fact that the Jedi are mainly extraterrestrials and few 'Humans' were taught the Jedi way. The temples were also built by extraterrestrials in Lucas' stories. How intriguing is it that our scientists are finding that OUR temples and pyramids were built by extraterrestrials as well! 

We are on a VERY interesting planet my friends and what we have been taught was ALL just a distraction from the part we play in a GALACTIC and DIVINE reality. 

Note: Quotes from George Lucas are taken from “Bill Moyers interviews George Lucas,” Time, April 26, 1999(Vol. 153, Issue 16), pp. 92-94.

 

Here is An Article Excerpt By Chris Sunami

At root, the Jedi Way is a synthesis of three Eastern religions or philosophies, with an overlay of courtly behavior drawn from the medieval knights of Europe.

The most important source for the Jedi Way is Taoism, an ancient Chinese philosophy whose name is generally translated as “the Way” or as “the Way of Nature.” The two main goals of Taoism are to achieve balance and to exist in harmony with nature (and with all living beings). There is no deity as such in Taoism, which conceptualizes ultimate reality as a primal energy. This energy is expressed in the world in the form of two equal and opposing forces, the “yin” or passive female force, and the “yang” or active male force. These forces are neither good nor evil, and what is desirable is that they be in balance at all times.

The tension between yin and yang creates “qi” (pronounced “chee” and sometimes transliterated as “chi”) or life energy. Qi is found in all things, but particularly living creatures. The manipulation of qi is at the root of many traditional Chinese practices including acupuncture, feng shui and tai chi. According to legend, command of qi flow (as practiced by “qigong” masters) brings many mystical powers similar to those of the Jedi, such as the ability to move objects with the mind. In the movies, the name of Jedi Master “Qui-Gon Jin” is probably a deliberate reference to “qi gong.” (Since Taoism is more of a philosophy than a religion, it is often combined together with religious beliefs from other traditions, such as Buddhism or Christianity.)

The second major source of the Jedi Way is Buddhism, specifically Zen, a variant found largely in Japan. As with most forms of Buddhism, Zen preaches “non-attachment,” the letting go of emotional bonds to people, places and things. The ultimate goal is to reach a selfless state of dispassionate compassion for all living things. Like the Jedi knights, Buddhist monks are ascetic and celibate. Zen monks are known, at least in the popular imagination, for developing a particular ability or craft to the point where it can be practiced with no conscious effort and nearly superhuman skill.

The third major source for the Jedi worldview is Zoroastrianism, an ancient Persian religion which viewed the world as an eternal battlefield between the forces of good and evil. Although Zoroastrianism has only small pockets of practitioners left in the modern world, it was a major influence on many other philosophies and religions. Echoes of it are present in many places, including the way many modern Christians conceptualize the devil as a force opposite and nearly equal to God.

Finally, the Jedi philosophy is overlaid with a code of chivalry based on that practiced by the medieval knights of Europe, who operated by a code of ethics including strict rules for combat, high standards of courtesy, warrior virtues such as honor, loyalty and bravery and a veneration of courtly love. The knightly facet of the Jedi is exemplified in the movies by their preference for the “elegant” light sabers as opposed to the “barbaric” blasters.

The remarkable synthesis Lucas achieved in placing together these disparate elements has proved compelling for more than one generation of viewers. However, as a workable philosophy it has major flaws.

The first and most subtle of these is the conflict between Taoism and Buddhism. Although often linked in real life, Taoism and Buddhism do not always line up. In the first chapter of the “Tao Te Ching” (the chief text of Taoism) it says “let go of desires in order to observe the source, but allow yourself desires in order to observe the manifestations.” This indicates that both “attachment” and “nonattachment” are seen as having value in Taoism, as opposed to Buddhism. In addition, the Buddhist seeks to transcend the world and earthly existence, whereas the Taoist seeks to be fully integrated into the world as a part of nature and natural existence. In the movies, this becomes an issue in the way that the Jedi Council is aloof and independent from politics, yet simultaneously also deeply involved in the galactic political landscape.

The second conflict is between Taoism and Zoroastrianism. There is no “good” and “evil” in Taoism, only balance and imbalance. Neither Yin nor Yang is preferable, and both are necessary, as apposed to Zoroastrianism, where the ultimate goal is the triumph of good and the eradication of evil. This disconnect shows up as a major plot point in the second series of movies (I, II & III), where the prophecy of “balance in the Force” may possibly mean the rise of evil.

The third conflict is between Buddhism and Zoroastrianism. Again, the concept of a fight between good and evil is somewhat alien to Buddhism. A fallen Buddhist would not be an equal and opposite force to a good Buddhist, but simply someone who had become too caught up in the illusions and the material temptations of the ordinary world. A person of this sort might be cruel, venal and selfish, but would not be expected to have any particular spiritual power. This creates a paradox in the movies, in that the Jedi draw power from controlling their emotions, but the Sith draw power from their inability to control their emotions. In addition it creates another instance of cognitive dissonance as the wise and dispassionate Jedi choose over and over again to resolve their problems through violence.

The final conflict is between Buddhism and chivalry. Buddhism preaches non-attachment, but one of the key characteristics of the medieval knights was passionate attachment. Loyalty to one’s lord and to one’s comrades-in-arms was among the highest virtues, and a courtly, romantic (and theoretically chaste) love between a knight and his lady was celebrated as an ideal. Also, in as much as chivalry stems from Christianity, it carries the idea of love as a powerful redemptive force.

This disconnect creates some of the most powerful paradoxes in the movies. In the first series (IV, V & VI) Yoda and Obi-Wan counsel control of emotions, and warn Luke against the dangers of his affection for his friends, and his unreasonable love for his father. Yet it is Luke’s decision to ignore this seemingly wise advice that provides most of the high points of the first series. In the end, Luke is proven right when his ill-advised love for his father finally uncovers the good left in Darth Vader, and brings about the final end to the Sith. Therefore, love is ultimately shown to be even more powerful than the light side of the Force

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